Pollocks process has been compared to choreography as if his painting traced the movements of a dance at different moments one number 31 1950 can suggest the pulsing intensity of the modern city the primal rhythms of nature or the flickering forms and infinite depths of the cosmos. One number 31 1950 is a masterpiece of the drip technique and among the largest of pollocks paintingsbegun approximately three years after his first painting in this style the work is evidence of the artists skill and technical prowess. One was identified as number 31 1950 indeed the museums decision to main tain both its original and its present title thus one number 31 1950 exemplifies how pollocks numbering system led to confusion from the start number 31 1950 today called one was in fact painted after number 32 1950 and before. Jackson pollock one number 31 1950 oil and enamel paint on unprimed canvas 1950 moma speakers dr steven zucker dr beth harris. A moma educator discusses how she teaches one number 31 1950 by jackson pollock 1950 visit moma learning for more teaching and learning resources
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